#but inside she's a mess really

[midaskey]

Tell us about your Rogue Trader! She looks badass.

Hoooo booy, I'm not a WH40K expert, but here we go!

Her name is Rainer, which is more of an alias from the early days in Schola Progenium, practically no one remembers her original name, not even herself lol. She was picked from the streets and mindwiped and was told that her parents are heroes or smth and how she'd follow in their footsteps, but the point is the mind forgets, but the body remembers - her skills and temper, gained in the slums died hard, like really hard. Her character is pretty much summarised as bratty hooligan, who learned to hide her emotions too damn well. And boy oh boy she doesn't even realise how much of a suppressed monster she is even without the warp influence. It's hard for me to summarise her character in a few words, but I do enjoy making ambiguous characters, but I'll say she's not without some pangs of conscience here and there.

Rainer's in-game portrait that I posted is basically her look post-Act III with white streaks in her hair and Glasgow grin of course. And on official events she styles her hair in halo braid.

[tagidearte-spam-sb]

I find it funny how the fandom (or, at least, a part of the fandom I see a lot) has latched onto the "Moon is obsessed with rules" headcanon. True, he's the one that comes after Gregory for "punishment time", but...

Sun is the one calling the player a rulebreaker and kicking a literal kid straight into the less-than-friendly Glamrocks' waiting arms (for accidentally turning the lights off. As if Gregory would know touching a Freddy shaped security box would do that. If it even was Gregory and, idk, ""someone"" disabling the power in the daycare on purpose). Sun is the one nearly popping his circuits if you don't follow his instructions. Sun is the one threatening to release Moon on you if you so much as colour a page wrong. Sun is the one getting frustrated with Cassie if she screws up somehow (haven't played Ruin in a while, but I do think he freaks out if you approach him in the VR world after only disabling one - or zero - generators).

Moon on the other hand? Moon is fizzyfazzing vibing (well, not in Ruin for obvious reasons). Fulfilling his task and getting the kid? Sure sure, let him just jump from leg to leg first, and walk in a goofy way at an extremely slow pace (even Monty with no legs balancing himself on crutches would probably move faster), while giggling and alerting the entirety of the daycare to his precise jingly location. He only starts taking it seriously and entering the structures when you get some generators on, and even then he's still messing around. The robot cares more about his jester theatrics than his goddamn job. If Moon really does security patrols like many people believe he does, half of them are (or were, prior to the virus) probably him tormenting a poor overworked security guard (rip Vanessa, if you're out there...).

Don't take me wrong. I love a Moon who follows the rules to a malicious degree as much as the next person. And he does seem set on putting Gregory down to sleep and punishing him. He does seem intent on harming you in HW2. But let's be real, Moon doesn't give a shit about his job half the time - doing a goofy walk, riding a carousel... those are much better. If he gets to scare someone while doing it, jackpot for him. We only really see him struggle in Ruin, as far as I recall. Sun is the one running around like a bossy headless chicken trying to get everything in order.

I think it's because Moon is the one who directly says "you must be punished" and harms you? But even then my man jumps on the table, does a goofy move, and flies off to give Gregory some time to hide for their little hide and seek game. Sun is the one getting freaked out and throwing you out without any preamble after the lights turn on.

Again, not shitting on anyone. I just think it's so funny. I legitimately cannot imagine Moon being that serious unless 1) a real intruder is at the pizzaplex, not some snotty kid; 2) Vanny tells him to; 3) something actually dangerous is happening and he's not high on whatever virus is going around.

[pallases]

IM FREEEEEE

[torgawl]

i was a reading a bit more on purgatory and purgatorius ignis (cleansing fire), which is a concept that existed even before the notion that purgatory itself was a third other-world domain, similar to heaven and hell, when i suddenly remembered dante's la divina commedia and decided to revisit the story a little. and i found something interesting as i was scrolling through the wikipedia page.

so, purgatory is the second part of la divina commedia, following inferno, and is an allegory telling of the climb of dante up the mount of purgatory, guided by the roman poet virgil. alegorically, purgatorio represents the penitent christian life (and christianity, as we know, is one of the core themes of fontaine's archon quests that arlecchino was a part of). while describing the climb dante focuses a lot on the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the church. what's interesting, though, is that the poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.

why is this interesting, you ask? let me add here a few quotes before i contextualise it:

"she is a god with no love left for her people, nor do they have any left for her" - dainsleif about the cryo archon, the tsaritsa

"her royal highness the tsaritsa is actually a gentle soul. too gentle, in fact, and that's why she had to harden herself. likewise, she declared war against the whole world only because she dreams of peace. and because she made an enemy of the world, i now have a friend in you." - childe about the tsaritsa

"everyone praises her for her kindness and benevolence, but they forget that love is also a form of sin. what if she's just trying to compensate for something?" - wanderer about the tsaritsa

the tsaritsa, the cryo archon and the person arlecchino is devoted to, is theorised and hinted multiples times to be the god of love. yes, the love that is said to be the origin of sin in la divina commedia. we can also draw parallels between the idea of perverted love talked about in the poem and the relationship between arlecchino and others, for instance the kids of the house of the hearth.

arlecchino's drip marketing including an excerpt where the scene goes from a gentle warm environment, seemingly mistaken as a loving family home full of innocent looking children, that quickly shifts into a somber and dark atmosphere under her authority - the children answering instantly, without hesitation and completely obedient -, is the perfect illustration of the duality within her character. there's an obvious exploitative and manipulative system making use of the house of the hearth and the orphans under its roof, where arlecchino (as the one running the orphanage) is the provider and the kids are brought up to be dependable and further dispatched as fatui soldiers when "potential" is recognised. and we can deduce that there's ways that their education is done from a very young age so it prevents or punishes any sort of dissent, something not hard to imagine when we know from freminet that arlecchino doesn't like when the kids cry or show emotional vulnerability, something she sees as weakness, for example. but if there's this dark side to her, there's also certain attitudes that demonstrate her care for the children or even her care for the world around her. arlecchino helping freminet get closure on his mother's death, the reformation of the house of the hearth (which we know used to have a much more punishitive and strict leader before arlecchino took over) or even her devotion and deep respect towards the tsaritsa are some examples of the way she shows care for other people. now, we can theorise that these good deeds directed towards the orphans under her care are very much purposeful to better manipulate them, but i think that's exactly what the notion of perverted love in la divina commedia tries to hint at.

besides this concept, there's something else that peaked my interest in dante's poem. dante pictures purgatory as an island at the antipodes of jerusalem, pushed up, in an otherwise empty sea, by the displacement caused by the fall of satan, which left him fixed at the central point of the earth. it's a cone-shaped island that has seven terraces on which souls are cleansed from the seven deadly sins or capital vices as they ascend. at the summit is the garden of eden, from where the souls, cleansed of evil tendencies and made perfect, are taken to heaven.

as we know, arlecchino is being introduced in fontaine, her homeland, and the idea of purgatory as an island in the sea leading its way to heaven caused by the fall of a sinful being sort of reminded me of remuria. remuria was the civilization in fontaine which directly preceded the previous hydro archon egeria's rule. its downfall occurred as a result of remus' attempt to avert its predicted destruction, and in particular, by his act of sharing his power and authority — reserved only for gods — with the four human harmosts he appointed to govern his cities. remuria eventually ended up being sunken into the abyss, devouring everything including the people and remus himself. we know there's still a region in fontaine's map that wasn't yet released, so how odd would it be that the last part to be revealed in fontaine might just be the land that was once sunken? after the little note about the samsara cycles near the tower of the narzissenkreuz ordo, which referenced a cycle called remuria, i would not be surprised at all. it's also particularly funny that fontaine is directly below celestia. yes, the floating island in the sky above teyvat which is the residence of the gods, the same gods that made remuria fall. as the contemporary philosophers of our time have said, that's sus!!!

i don't want to get too ahead of myself because i don't have a theory about what's going to happen or what role arlecchino will play exactly but i don't think it would be shocking if we got to know more about remuria during her release. and still in the purgatory idea, i think the angel of death (azreal) might be an interesting parallel to make with arlecchino. azrael's role is seen as benevolent, transporting souls after death. it fits perfectly well with the idea of purgatorius ignis, that signifies transformation. in different cultural and religious contexts, fire can also symbolize destruction renewal and even rebirth so i'm very very curious to see what arlecchino's story will be like.

[softhe4rted]

february mb

[screwpinecaprice]

I know it’s not a question but i can’t help but appreciate the fact that you draw adult Steven as a chubby guy! We big boys need some positive representation in here. Also, i’ve been following you for almost a year now!

Btw sorry for my English lol.

Hi! It's very pleasing to know you've been around for as long! 😁😁😁 I absolutely appreciate the appreciation! And no worries, your English is super fine! 😁 (Relatable actually. I am also apologizing in advance if I can't exactly have my point clearly across because I'm not well at English myself! lmao)

It took me quite some time to learn how to draw chubby characters but it's so satisfying to have eventually. ( *`u*) (I mean, there's still so much to learn, but still.)

Having a chubby main protagonist is so wonderful to have. And a good kid at that. (Ngl I'm attracted to kindness. haha So of course it's very important to me that he's fat AND kind.)

Also design-wise, I personally think it fits his character so well. Soft and huggable, shaped like a friend. Thick arms to hug people with snuggly. Body wide like a shield. etc. ¯\_(ツ)_/¯

And I just really like to capture these elements when I draw him as an adult. Also that it's just fun to draw.

Simply personal thoughts about it, nothing against any other ways he's being portrayed by others of course.

[edge-oftheworld]

sorry complete mess i love you but album opener was all you needed to be

I've removed all the singles except the only one that charted which is me myself & i. songs that also charted if i remember correctly were bad omens and efyts. do with that information what you will.

this left me with room for only 2 of the extended version songs (not that they usually ever get used for singles) so i picked the two that seemed most like they COULD be potential singles. moodswings came a close third though

[hauntingblue]

AAAAAAAAARRRRGGGGGGHHHHHHHHHH WE GOT ARCANEEEEEEEEEE

[rawliverandgoronspice]

If I keep my motivation up with the animatic project, I plan to make ganondorf just. soooo uncomfortably correct about things. you know, in that event horizon of being both indefensible enough in his actions that you feel like he's just saying things to make himself look less bad, but also you can't really retort a proper counterargument without revealing huge biases in your own perception of reality

just riding that wind waker swagger to more extreme extremes

[blueheartedwolf]

I wish I could find a doctor that wants to find out what’s actually wrong with me instead of recommending prescriptions to address the symptoms. I’m so tired of being recommended ibuprofen for debilitating pain. Tired of relaying my medical history to a new doctor and getting the same furrowed brow and shrugging shoulders I get every time. Tired of having so-called medical professionals ask why I need a cane if I’m able to walk down their clinic hallway without it. When will someone fucking help me?

[ladycatofwinterfell]

I should stop making my thoughts on the iwtv episodes posts before I have rewatched the ep of the week at least once because I always end up being like wow I missed so many things when I do rewatch

[larryrickard]

i had a dream that i made little cards that say "THEY!" on them that i handed out to people at work who got my pronouns wrong, immediately after they got it wrong. and in smaller text (or on the back) it said "i don't want an apology, i want you to do better" or "don't say you're sorry, DO BETTER" and ..... i kind of want to do it. maybe i'll get some moo cards made lmao

various scenarios included:

me slamming it down on a desk in front of them.

instead i had stickers, would slowly peel one off while they watched, and stick it on it on them.

handing out a quarter sheet piece of paper based on the 'i caught being good' tags we'd get in kindergarten which said 'i got caught misgendering hallie/my coworker'. it would have their name and date on it and a giant 🙁 face. i had them as a pad of paper and would hold up a finger to say 'wait a second', dramatically pull it out of my back pocket, take my pen out of another pocket, slowly fill it out in front of them, and hand it to them while staring them in the eyes.

getting a whiteboard for the outer side of my cubicle wall that said '[days] since i was misgendred' (with a bonus by saying 'last offender: [name]'

i also dreamt that i got into trouble for it because i was making people feel bad and was 'creating a hostile work environment'. i was just like.... okay and how do you think i feel? and my boss shut up real fuckin quick. dunno if that would be the case irl but if that does happen i can only dream.

[eldritchborn]

“&– - I don't believe in consequence, I make the rules up in my head. Nobody seems satisfied.” // @breathandshadow liked for a lyrical starter!

[greatestwizardofthisage]

paramores after laughter album was written for the abernant sisters

[fingertipsmp3]

Going to play the sims high, will report back

[ssaalexblake]

the missy saying to Clara in that dalek cave that a hopeless doctor would burn them all to dhawan!master mentally torturing thirteen and dragging her down further and further into her own trauma that she’d deliberately burn them all out of hopelessness pipeline